A finding aid authored by Ivy Sanders in April 2022 after inventorying the items of and researching about Jean Slater Edson – a previous music staff member of UMW, then …
Category Archives: Original Creations
Undergraduate Research in Music Philology: Critical Edition of Gilbert and Sullivan’s PRINCESS IDA
16th Annual UMW Undergradaute Research & Creativity Symposium submission by Ivy Sanders for her undergraduate research that was conducted Fall 2021-Spring 2022. The online portion of the presentation can be …
Elgar ‘Enigma’ Variations, op. 36 program notes – 2019
A collaboration with colleague John “Max” Yarrow; Yarrow authored the biography and Variations I – VI while Sanders authored Variations VII – XIV.
Respighi “The Pines of Rome” program notes – 2019
Paganini Caprice 24 for string orchestra – 2021
Original by Niccolo Paganini for solo violin, arr. Ivy Sanders; Caprice 24 theme with variations I – III done for my final project in the scoring and arranging class at …
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Scarlatti Sonata in D “Pastorale”, Kk. 9 excerpt for wind quintet – 2021
Original by Domenico Scarlatti for keyboard, arr. for two flutes, one oboe, one clarinet, and one bassoon by Ivy Sanders; for my scoring and arranging course at UMW.
“High on Marye’s Hilltop” sample for jazz big band – 2021
Original by Irene Taylor and Jean Crotty, jazz arr. by Doug Gately, voicing and instrumentation by Ivy Sanders; a project for my scoring and arranging class at UMW.
“High on Marye’s Hilltop” for small jazz combo – 2021
Original by Irene Taylor and Jean Crotty, jazz arr. by Doug Gately, voicing and instrumentation by Ivy Sanders; a project for my scoring and arranging class at UMW.
“Chip Jam” – 2018
A project for my music technology class at UMW.
“Dorm Life” – 2018
A project for my music technology class at UMW.
